"Utterly compelling." New Scientist. "Quite unbearably moving." Spectator. "Eye opening." Londonist. "Innovative." Fast Company. "Another excellent exhibition." Red Pepper
Revered by everyone from Martin Luther King Jr. to Beyoncé, W. E. B. Du Bois stands as one of the most important and influential African American activists and intellectuals of the 20th century. As co-founder of the NAACP (National Association for the Advancement of Colored People) and author of the seminal book The Souls of Black Folk, Du Bois is celebrated for his profound and prolific writings. But alongside his famous essays, Du Bois produced an astounding – yet little-known – body of infographics to challenge pseudo-scientific racism, making visual arguments every bit as powerful as his textual ones.
W. E. B. Du Bois: Charting Black Lives displays the complete set of 63 graphics shown at the 1900 Paris Exposition, produced by Du Bois and a team of African American students from his sociology laboratory at Atlanta University. These visually innovative graphs, charts and maps formed a radical new approach to refuting racism, using strikingly presented facts and statistics to counter contemporary white supremacy.
Alongside reproductions of Du Bois’s graphics, the exhibition presents original artwork by Mona Chalabi, Data Editor at The Guardian, repurposing his distinctively clean lines, arresting shapes and bold primary colours for the 21st century. Chalabi’s work demonstrates the enduring relevance of Du Bois’s data visualisation methods and the racial inequalities he fought against.
W. E. B. Du Bois: Charting Black Lives is co-curated by Paul Goodwin, Professor at the University of the Arts London, a curator, scholar and specialist in black urbanism.